All Albrecht Durer Oil Paintings

b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg
 
       VORHERIGE  93  94  95  96  97  98  99  100  101  102   NÄCHSTE
  VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
 
Albrecht Durer Self-Portrait at 13 oil painting


Self-Portrait at 13
Gemälde IDENTIFIZIERUNG::  63644 		Self-Portrait at 13
1484 Silverpoint on paper, 275 x 196 mm Graphische Sammlung Albertina, Vienna At the age of 13, D?rer created the earliest self-portrait of an artist at so young an age. Using silverpoint, the features of D?rer with which we are familiar from later self-portraits, though still rather childlike here, are depicted with gentle strokes. Like one of Martin Schongauer's Late Gothic angels in depictions of the Annunciation, the boy is also pointing to the right. His left hand is concealed beneath his sleeve, thus suggesting that this self-portrait was painted in front of a mirror.Artist:D?RER, Albrecht Title: Self-Portrait at 13 Painted in 1501-1550 , German - - graphics : portrait
1484 Silverpoint on paper, 275 x 196 mm Graphische Sammlung Albertina, Vienna At the age of 13, D?rer created the earliest self-portrait of an artist at so young an age. Using silverpoint, the features of D?rer with which we are familiar from later self-portraits, though still rather childlike here, are depicted with gentle strokes. Like one of Martin Schongauer's Late Gothic angels in depictions of the Annunciation, the boy is also pointing to the right. His left hand is concealed beneath his sleeve, thus suggesting that this self-portrait was painted in front of a mirror.Artist:D?RER, Albrecht Title: Self-Portrait at 13 Painted in 1501-1550 , German - - graphics : portrait
   
   
     
Albrecht Durer Study of an Architect oil painting


Study of an Architect
Gemälde IDENTIFIZIERUNG::  63645 		Study of an Architect
1506 Brush and ink heightened with white on paper, 386 x 262 mm Staatliche Museen, Berlin D?rer worked very hard on the Altarpiece of the Rose Garlands, and no less than 22 of his studies for the work have survived. These include a sketch of an architect holding a set square, probably Hieronymous of Augsburg. He is dressed in black at the far right of the painting, near the front. Hieronymous was then working on the reconstruction of the Fondaco dei Tedeschi, the Germans' trading house in Venice which had been destroyed by fire in 1505.Artist:D?RER, Albrecht Title: Study of an Architect Painted in 1501-1550 , German - - graphics : study
1506 Brush and ink heightened with white on paper, 386 x 262 mm Staatliche Museen, Berlin D?rer worked very hard on the Altarpiece of the Rose Garlands, and no less than 22 of his studies for the work have survived. These include a sketch of an architect holding a set square, probably Hieronymous of Augsburg. He is dressed in black at the far right of the painting, near the front. Hieronymous was then working on the reconstruction of the Fondaco dei Tedeschi, the Germans' trading house in Venice which had been destroyed by fire in 1505.Artist:D?RER, Albrecht Title: Study of an Architect Painted in 1501-1550 , German - - graphics : study
   
   
     
Albrecht Durer Male Nude with a Glass and Snake oil painting


Male Nude with a Glass and Snake
Gemälde IDENTIFIZIERUNG::  63646 		Male Nude with a Glass and Snake
so-called Asclepius c. 1500 Pen drawing, green ink, 325 x 205 mm Staatliche Museen, Berlin This pen drawing of the so-called Asclepius, the classical god of medicine, is one of D?rer's earliest studies of proportion. The design sketch proves that the figure was originally laid out as a study of proportion. The muscular detail of the body is similar to that of Adam in the copper engraving dating from 1504.Artist:D?RER, Albrecht Title: Male Nude with a Glass and Snake, so-called Asclepius Painted in 1501-1550 , German - - graphics : study
so-called Asclepius c. 1500 Pen drawing, green ink, 325 x 205 mm Staatliche Museen, Berlin This pen drawing of the so-called Asclepius, the classical god of medicine, is one of D?rer's earliest studies of proportion. The design sketch proves that the figure was originally laid out as a study of proportion. The muscular detail of the body is similar to that of Adam in the copper engraving dating from 1504.Artist:D?RER, Albrecht Title: Male Nude with a Glass and Snake, so-called Asclepius Painted in 1501-1550 , German - - graphics : study
   
   
     
Albrecht Durer Self-Portrait with a Bandage oil painting


Self-Portrait with a Bandage
Gemälde IDENTIFIZIERUNG::  63647 		Self-Portrait with a Bandage
1491-92 Pen drawing on paper, back side, 204 x 208 mm Graphische Sammlung der Universit?tsbibliothek, Erlangen D?rer's self portrait with a bandage presumably dates from the first period of his journeys; it was sketched with rapid strokes, and D?rer's face with his inquiring gaze stands out. The hand gesture is reminiscent of the tradition of depictions of Christ suffering, of melancholy and sleep. An interpretation of melancholy fits in most readily with a self portrait in this manner.Artist:D?RER, Albrecht Title: Self-Portrait with a Bandage Painted in 1501-1550 , German - - graphics : portrait
1491-92 Pen drawing on paper, back side, 204 x 208 mm Graphische Sammlung der Universit?tsbibliothek, Erlangen D?rer's self portrait with a bandage presumably dates from the first period of his journeys; it was sketched with rapid strokes, and D?rer's face with his inquiring gaze stands out. The hand gesture is reminiscent of the tradition of depictions of Christ suffering, of melancholy and sleep. An interpretation of melancholy fits in most readily with a self portrait in this manner.Artist:D?RER, Albrecht Title: Self-Portrait with a Bandage Painted in 1501-1550 , German - - graphics : portrait
   
   
     
Albrecht Durer The Virgin Nursing the Child oil painting


The Virgin Nursing the Child
Gemälde IDENTIFIZIERUNG::  63648 		The Virgin Nursing the Child
1512 Charcoal, 418 x 288 mm Graphische Sammlung Albertina, Vienna (The sheet is drastically cut at the right and the bottom.) This can scarcely be considered as a preliminary study for a painting; on the contrary, it is an independent drawing par excellence, with a great deal of curly and distinct linear movement. It is clear from this how incompletely the tortured motif of the 1512 painting of the Virgin (Vienna) reveals the artist's general frame of mind in this period.Artist:D?RER, Albrecht Title: The Virgin Nursing the Child Painted in 1501-1550 , German - - graphics : study
1512 Charcoal, 418 x 288 mm Graphische Sammlung Albertina, Vienna (The sheet is drastically cut at the right and the bottom.) This can scarcely be considered as a preliminary study for a painting; on the contrary, it is an independent drawing par excellence, with a great deal of curly and distinct linear movement. It is clear from this how incompletely the tortured motif of the 1512 painting of the Virgin (Vienna) reveals the artist's general frame of mind in this period.Artist:D?RER, Albrecht Title: The Virgin Nursing the Child Painted in 1501-1550 , German - - graphics : study
   
   
     
       VORHERIGE  93  94  95  96  97  99  100  101  102   NÄCHSTE
VORHERIGER KÜNSTLER       NÄCHSTER KÜNSTLER     
     Albrecht Durer
     b.May 21, 1471, Imperial Free City of N??rnberg [Germany] d.April 6, 1528, N??rnberg

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